Sharmila Wood is an Independent Curator who works at the intersection of social change, history, and ecology in design and art.

Notes for Tomorrow - Humber Galleries at Humber College, Toronto Canada Jan 16, 2023 – Apr 7, 2023

Notes for Tomorrow - Samuel Dorsky Museum of Art, SUNY New Paltz, New York Jun 17, 2023 – Nov 12, 2023

Actions for the Earth - The Contemporary at Blue Star Galleries Jun 2, 2023 – Sep 3, 2023 SAN ANTONIO, TX, USA

Coming Soon - Super Future

Notes for Tomorrow - Humber Galleries at Humber College, Toronto Canada Jan 16, 2023 – Apr 7, 2023 ● Notes for Tomorrow - Samuel Dorsky Museum of Art, SUNY New Paltz, New York Jun 17, 2023 – Nov 12, 2023 ● Actions for the Earth - The Contemporary at Blue Star Galleries Jun 2, 2023 – Sep 3, 2023 SAN ANTONIO, TX, USA ● Coming Soon - Super Future ●

CURRENT PROJECTS

Language of Orchids

An iterative project, the Language of Orchids is a collection of photographs and text that expands from a family album of Singapore in the 50s- 70s. The first chapter of Language of Orchids is in partnership with Mok Zining whose collection of poetry, The Orchid Folios reimagines the orchid as a living, breathing document of history: a history that enmeshes the personal, colonial, linguistic, and biotechnological with the Vanda Miss Joaquim, the symbol of Singapore’s postcolonial hybridity. The lecture/talk is in the programme of the Perth Writers Festival and in partnership with the Centre for Stories.

If care is to become the basis of a better society and world, we need to change our contemporary hierarchies of care in the direction of radical egalitarianism. All forms of care between all categories of human and non-human should be valued, recognised and resourced equally, according to their needs or ongoing sustainability. -The Care Manifesto: The Politics of Independence

Pre-pandemic Sharmila spent time on an Asialink Residency to Singapore. Sharmila partnered with the National Archives of Singapore, the image collections at the National Library of Singapore, and the archives of photographic studio G.R. Lambert and Co. She recently has also engaged with the Singapore Botanic Gardens team of botanists. The project explores themes around interconnections between environs and networks of care and community through re-presenting photography and the orchid within the social relations of family, home and history.

Actions for the Earth: Art, Care & Ecology

Actions for the Earth: Art, Care & Ecology is a traveling exhibition that considers kinship, healing, and restorative interventions as artistic practices and strategies to foster a deeper consciousness of our interconnectedness with the earth. Actions for the Earth is a resource for current times, reminding us that we are connected within a constellation of living networks, inseparable from the earth. The exhibition emphasizes learning, care, and intimacy, inviting its publics to participate in instruction-based meditation and deep listening among other actions. During the tour, projects will generate site-specific exchanges between the artists, the environment, and local communities, growing and changing over time.

Artists: Ackroyd and Harvey, Lhola Amira, Arahmaiani, Sayan Chanda, Hylozoic/Desires (Himali Singh Soin & David Soin Tappeser), lololol, Ana Mendieta, Zarina Muhammad, Patrina Mununggurr, Pauline Oliveros, Yoko Ono, Tabita Rezaire, Mithu Sen, Cecilia Vicuña, Katie West, and Zheng Bo.

Soothsayer Serenades

Sharmila nominated the Amrita Hepi work Soothsayer Serenades for Notes for Tomorrow an ICI exhibition.Amrita is a dancer and choreographer with an interdisciplinary practice. In Soothsayer Seranades, she invites collaborators to develop playlists accompanied by provocations to move which are released at 4pm every Wednesday via the music streaming service Spotify. The playlists in Soothsayer Seranades encourage listeners to actively participate, to reach out, and enable others to move in the shared moment of its release. The physicality of dance and the sensory qualities of music provide an experience of embodiment that either counters the isolating conditions of lockdown or suggests ways of reconnecting thereafter. The work invites us to experience the present, while also referencing the role of a soothsayer who has clairvoyant abilities to predict the future. If the pandemic has provided a portal to imagine different ways of being and living in the future, Soothsayer Serenades demonstrates an artistic response to how we could reimagine our shared, global community and reaffirms the importance of our interconnection to each other. (Courtesy Haverford College)

Let’s Work Together