Notes for Tomorrow is an exhibition conceived by ICI that takes the events of 2020 as a jumping-off point for a radical reassessment of our present. In 2020, ICI turned to our worldwide network of curators and asked them to share one artwork they believe is vital to be seen today. The resulting exhibition features artworks selected by thirty curators from around the globe that take on many of the issues that have moved to the fore in the pandemic's aftermath. In this necessary moment of cultural transition, each work is a source of inspiration from the recent past towards new futures.

Actions for the Earth: Art, Care & Ecology is a traveling exhibition that considers kinship, healing, and restorative interventions as artistic practices and strategies to foster a deeper consciousness of our interconnectedness with the earth. Actions for the Earth is a resource for current times, reminding us that we are connected within a constellation of living networks, inseparable from the earth. The exhibition emphasizes learning, care, and intimacy, inviting its publics to participate in instruction-based meditation and deep listening among other actions. During the tour, projects will generate site-specific exchanges between the artists, the environment, and local communities, growing and changing over time.

Artists: Ackroyd and Harvey, Lhola Amira, Arahmaiani, Sayan Chanda, Hylozoic/Desires (Himali Singh Soin & David Soin Tappeser), lololol, Ana Mendieta, Zarina Muhammad, Patrina Mununggurr, Pauline Oliveros, Yoko Ono, Tabita Rezaire, Mithu Sen, Cecilia Vicuña, Katie West, and Zheng Bo.

The Language of Orchids An iterative project, the Language of Orchids is a collection of photographs and text that expands from a family album of Singapore in the 50s- 70s. The first chapter of Language of Orchids is in partnership with Mok Zining whose collection of poetry, The Orchid Folios reimagines the orchid as a living, breathing document of history: a history that enmeshes the personal, colonial, linguistic, and biotechnological with the Vanda Miss Joaquim, the symbol of Singapore’s postcolonial hybridity. The lecture/talk is in the programme of the Perth Writers Festival and in partnership with the Centre for Stories.